Readers of this blog fall into several different camps. Some are specialised Machin or Post and Go collectors (the latter not finding that much to read or collect these days), and some are avid collectors of Great Britain's special (sometimes 'commemorative') stamps supplied by Royal Mail's Philatelic Service.
That used to be known as the Philatelic Bureau, indeed it still produces a Philatelic Bulletin, which fortunately contains some philatelic articles on pre-21st century matters, as well as plenty of puff and glossed images showing the latest offerings.
In the early part of this century we had a number of stamp issues for which cover producers were presented with certain licensing problems, but they were all essentially British. Lord of the Rings - the books (2004), Independent Television & The Ashes (2005), World Football Cup (2006), The Beatles, Harry Potter (books) and Scouting (2007), James Bond books, RNLI & HM Coastguard (2008), Album Covers & Wallace & Gromit (2010), Thunderbirds & Thomas the Tank Engine (2011), Roald Dahl and popular Comic publications - and of course the Olympics and Paralympics (2012), London Underground & Dr Who (2013), Children's TV & Commonwealth Games (2014) - all British.
It can be said that 2015, then, marked a sea-change in the Royal Mail Stamps & Collectibles issuing policy.
In the autumn of 2014 we were promised "an exciting programme (for 2015) with a great mix of issues that offer high profile opportunities and press coverage alike including stunning new illustrations for the eternally popular Alice in Wonderland. Despite being 150 years old the characters of Alice in Wonderland still bring enormous joy to many children around the world although perhaps a large part of thanks for that goes to Disney as the story features prominently in their Fantasylands across its Theme Parks".
And that news of the January issue was a taster for what was to come.
So what have we had since 2015? Here are just a few:
What do these have in common? They all - and others - require payment to license-holders, but more importantly they, and many more, have all been brought to the Royal Mail programme by Matt Parkes, Managing Director of Royal Mail Stamps & Collectibles since 2015.
In his profile on Linkedin (kindly sent to me by one of our readers) he writes that
"Since my appointment, I have pivoted what was a unit in decline into a
rapidly growing and sustainable IP licensing and collectibles business,
significantly exceeding revenue and profit targets each year.
I
have developed and overseen the implementation of a new content
strategy, acquiring major licenses including Star Trek, Marvel Comics,
Game of Thrones, Harry Potter, David Bowie and Queen.
I am a
member of the Royal Mail Group Products & Marketing Executive Board
and am Chair of the Stamps Advisory Committee, whose members are
selected for their specialist knowledge and outstanding achievement
within their area of expertise. I also act as a key liaison with the
government and Buckingham Palace."
He has "worked as a senior executive in the entertainment sector for twenty five
years, with a particular focus on general management, licensing,
business development and marketing" and came to Royal Mail after spells with BBC Worldwide, BSkyB, Virgin Media, Microsoft (Xbox), karaoke business Lucky Voice, and Copyright Promotions Licensing Group (CPLG). CPLG's clients include, according to Wikipedia, Spider-Man, Peanuts, World Wide Wrestling, Bob the
Builder, Sesame Street, LazyTown, Star Trek, Felix the Cat, Where's Waldo, England Rugby, England football, England Cricket & St Andrews.
It seems likely that his network of contacts from previous employments facilitated the inclusion of heavily-copyrighted and licensed subjects such as those pictured above.
It didn't take long to make an impact.
Whether or not it was underway before his arrival (and a two-year preparation period is normal) the first Star Wars issue came in October 2015.
After that we had David Bowie and more Star Wars in 2017, Game of Thrones and Harry Potter (films) in 2018, Marvel Comics, Elton John and yet more Star Wars in 2019, James Bond (films), Coronation Street, Queen Sherlock, Rupert Bear and Star Trek in 2020. This year we've only had Only Fools & Horses, Paul McCartney, and Dennis & Gnasher - so far; the second issue of next month has yet to be identified but a 'blockbuster' is usually included in the Quarter 4 programme.
Nasty or Nice?
There has been a declared strategy to “Extend Beyond Philately” by
making available products such as special edition PSBs (wherein the
stamps are the same as the standard one), 'fan sheets' (Music Giants),
and framed products which are marketed to the niche fan markets. But the fact is, the subject of most of the stamp issues which lend themselves to this approach are ones of which the traditionalist collector might not be in favour.
So is Matt Parkes Mr Nasty, responsible for driving thousands of collectors worldwide away from British stamps while developing the business to attract income from the non-philatelic fanbase of all the colourful and well-known subjects for which stamps have been issued?
Well no, Matt is a nice guy really, I've met him and had email exchanges. I suspect he has just been doing the job he was hired to do when Moya Greene was CEO of Royal Mail Group.
But there is no doubt that the income for the Stamps and Collectibles business which comes from genuine stamp collectors (while still the bigger proportion) has swung - which was the idea all along - towards non-collectors due partly to the income from some traditional collectors drying up altogether.



















